9 posts tagged “poetry”

By Francis Thompson (1859-1907)

Daughter of the ancient Eve,
We know the gifts ye gave--and give.
Who knows the gifts which YOU shall give,
Daughter of the newer Eve?
You, if my soul be augur, you
Shall--O what shall you not, Sweet, do?
The celestial traitress play,
And all mankind to bliss betray;
With sacrosanct cajoleries
And starry treachery of your eyes,
Tempt us back to Paradise!
Make heavenly trespass;--ay, press in
Where faint the fledge-foot seraphin,
Blest Fool! Be ensign of our wars,
And shame us all to warriors!
Unbanner your bright locks,--advance
Girl, their gilded puissance,
I' the mystic vaward, and draw on
After the lovely gonfalon
Us to out-folly the excess
Of your sweet foolhardiness;
To adventure like intense
Assault against Omnipotence!

Give me song, as She is, new,
Earth should turn in time thereto!
New, and new, and thrice so new,
All old sweets, New Sweet, meant you!
Fair, I had a dream of thee,
When my young heart beat prophecy,
And in apparition elate
Thy little breasts knew wax-ed great,
Sister of the Canticle,
And thee for God grown marriageable.
How my desire desired your day,
That, wheeled in rumour on its way,
Shook me thus with presentience! Then
Eden's lopped tree shall shoot again:
For who Christ's eyes shall miss, with those
Eyes for evident nuncios?
Or who be tardy to His call
In your accents augural?

Who shall not feel the Heavens hid
Impend, at tremble of your lid,
And divine advent shine avowed
Under that dim and lucid cloud;
Yea, 'fore the silver apocalypse
Fail, at the unsealing of your lips?
When to love YOU is (O Christ's Spouse!)
To love the beauty of His house;
Then come the Isaian days; the old
Shall dream; and our young men behold
Vision--yea, the vision of Thabor mount,
Which none to other shall recount,
Because in all men's hearts shall be
The seeing and the prophecy.
For ended is the Mystery Play,
When Christ is life, and you the way;
When Egypt's spoils are Israel's right,
And Day fulfils the married arms of Night.
But here my lips are still.
Until
You and the hour shall be revealed,
This song is sung and sung not, and its words are sealed.

By Henry Adams (1838-1918), sometimes philosopher, cynic and autobiographer.

Gracious Lady:—
Simple as when I asked your aid before;
Humble as when I prayed for grace in vain
Seven hundred years ago; weak, weary, sore
In heart and hope, I ask your help again.

You, who remember all, remember me;
An English scholar of a Norman name,
I was a thousand who then crossed the sea
To wrangle in the Paris schools for fame.

When your Byzantine portal was still young
I prayed there with my master Abailard;
When Ave Maris Stella was first sung,
I helped to sing it here with Saint Bernard.

When Blanche set up your gorgeous Rose of France
I stood among the servants of the Queen;
And when Saint Louis made his penitence,
I followed barefoot where the King had been.

For centuries I brought you all my cares,
And vexed you with the murmurs of a child;
You heard the tedious burden of my prayers;
You could not grant them, but at least you smiled

If then I left you, it was not my crime,
Or if a crime, it was not mine alone.
All children wander with the truant Time.
Pardon me too! You pardoned once your Son!

For He said to you:—"Wist ye not that I
Must be about my Father’s business?" So,
Seeking his Father he pursued his way
Straight to the Cross towards which we all must go.

So I too wandered off among the host
That racked the earth to find the father’s clue.
I did not find the Father, but I lost
What now I value more, the Mother,—You!

I thought the fault was yours that foiled my search;
I turned and broke your image on its throne,
Cast down my idol, and resumed my march
To claim the father’s empire for my own.

Crossing the hostile sea, our greedy band
Saw rising hills and forests in the blue;
Our father’s kingdom in the promised land!
—We seized it, and dethroned the father too.

And now we are the Father, with our brood,
Ruling the Infinite, not Three but One;
We made our world and saw that it was good;
Ourselves we worship, and we have no Son.

Yet we have Gods, for even our strong nerve
Falters before the Energy we own.
Which shall be master? Which of us shall serve?
Which wears the fetters? Which shall bear the crown?

Brave though we be, we dread to face the Sphinx,
Or answer the old riddle she still asks.
Strong as we are, our reckless courage shrinks
To look beyond the piece-work of our tasks.

But when we must, we pray, as in the past
Before the Cross on which your Son was nailed.
Listen, dear lady! You shall hear the last
Of the strange prayers Humanity has wailed.

A curious prayer, dear lady! is it not?
Strangely unlike the prayers I prayed to you!
Stranger because you find me at this spot,
Here, at your feet, asking your help anew.

Strangest of all, that I have ceased to strive,
Ceased even care what new coin fate shall strike.
In truth it does not matter. Fate will give
Some answer; and all answers are alike.

So, while we slowly rack and torture death
And wait for what the final void will show,
Waiting I feel the energy of faith
Not in the future science, but in you!

The man who solves the Infinite, and needs
The force of solar systems for his play,
Will not need me, nor greatly care what deeds
Made me illustrious in the dawn of day.

He will send me, dethroned, to claim my rights,
Fossil survival of an age of stone,
Among the cave-men and the troglodytes
Who carved the mammoth on the mammoth’s bone.

He will forget my thought, my acts, my fame,
As we forget the shadows of the dusk,
Or catalogue the echo of a name
As we the scratches on the mammoth’s tusk.

But when, like me, he too has trod the track
Which leads him up to power above control,
He too will have no choice but wander back
And sink in helpless hopelessness of soul,

Before your majesty of grace and love,
The purity, the beauty and the faith;
The depth of tenderness beneath; above,
The glory of the life and of the death.

When your Byzantine portal still was young,
I came here with my master Abailard;
When Ave Maris Stella was first sung,
I joined to sing it here with Saint Bernard.

When Blanche set up your glorious Rose of France,
In scholar’s robes I waited on the Queen;
When good Saint Louis did his penitence,
My prayer was deep like his: my faith as keen.

What loftier prize seven hundred years shall bring,
What deadlier struggles for a larger air,
What immortality our strength shall wring
From Time and Space, we may—or may not—care;

But years, or ages, or eternity,
Will find me still in thought before your throne,
Pondering the mystery of Maternity,
Soul within Soul,—Mother and Child in One!

Help me to see! not with my mimic sight—
With yours! which carried radiance, like the sun,
Giving the rays you saw with—light in light—
Tying all suns and stars and worlds in one.

Help me to know! not with my mocking art—
With you, who knew yourself unbound by laws;
Gave God your strength, your life, your sight, your heart,
And took from him the Thought that Is—the Cause.

Help me to feel! not with my insect sense,—
With yours that felt all life alive in you;
Infinite heart beating at your expense;
Infinite passion breathing the breath you drew!

Help me to bear! not my own baby load,
But yours; who bore the failure of the light,
The strength, the knowledge and the thought of God,—
The futile folly of the Infinite!

[From "Windsor Forest," by Alexander Pope]

The groves of Eden, vanish'd now so long,
Live in description, and look green in song:
These, were my breast inspir'd with equal flame,
Like them in beauty, should be like in fame.
Here hills and vales, the woodland and the plain,
Here earth and water, seem to strive again;
Not Chaos like together crush'd and bruis'd,
But as the world, harmoniously confus'd:
Where order in variety we see,
And where, tho' all things differ, all agree.
Here waving groves a checquer'd scene display,
And part admit, and part exclude the day;
As some coy nymph her lover's warm address
Nor quite indulges, nor can quite repress.
There, interspers'd in lawns and opening glades,
Thin trees arise that shun each other's shades.
Here in full light the russet plains extend;
There wrapt in clouds the blueish hills ascend.
Ev'n the wild heath displays her purple dyes,
And 'midst the desart fruitful fields arise,
That crown'd with tufted trees and springing corn,
Like verdant isles the sable waste adorn.
Let India boast her plants, nor envy we
The weeping amber or the balmy tree,
While by our oaks the precious loads are born,
And realms commanded which those trees adorn.
Not proud Olympus yields a nobler sight,
Tho' Gods assembled grace his tow'ring height,
Than what more humble mountains offer here,
Where, in their blessings, all those Gods appear.
See Pan with flocks, with fruits Pomona crown'd,
Here blushing Flora paints th' enamel'd ground,
Here Ceres' gifts in waving prospect stand,
And nodding tempt the joyful reaper's hand;
Rich Industry sits smiling on the plains,
And peace and plenty tell, a Stuart reigns.

[From The Discarded Image, by C. S. Lewis, pp. 97-100]

The dimensions of the medieval universe are not, even not, so generally realised as its structure[...] the Earth was, by cosmic standards, a point—it had no appreciable magnitude. The stars, as the Somnium Scipionis had taught, were larger than it. Isidore in the sixth century knows that the Sun is larger, and the Moon smaller than the Earth (Etymologies, III, xlvii-xlviii), Maimonides in the twelfth maintains that every star is ninety times as big, Roger Bacon in the thirteenth simply that the least star is 'bigger' than she. As so estimates of distance, we are fortunate in having the testimony of a thoroughly popular work, the South English Legendary: better evidence than any learned production could be for the [Medieval] Model as it existed in the imagination of ordinary people. We are there told that if a man could travel upwards at the rate of 'forty mile and yet som del mo' a day, he still would not have reached the Stellatum ('the highest heven that ye alday seeth') in 8000 years.

These facts are in themselves curiosities of mediocre interest. They become valuable only in so far as they enable us to enter more fully into the consciousness of our ancestors by realising how such a universe must have affected those who believed in it. The recipe for such realisation is not the study of books. You must go out on a starry night and walk about for half an hour trying to see the sky in terms of the old cosmology. Remember that you now have an absolute Up and Down. The Earth is really the centre, really the lowest place; movement to it from whatever direction is downward movement. As a modern, you located the stars at a great distance. For distance you must now substitute that very special, and far less abstract, sort of distance which we call height; height, which speaks immediately to our muscles and nerves. The Medieval Model is vertiginous. And the fact that the height of the stars in the medieval astronomy is very small compared with their distance in the modern, will turn out not to have the kind of importance you anticipated. For thought and imagination, ten millions miles and a thousand million are much the same. Both can be conceived (that is, we can do sums with both) and neither can be imagined: and the more imagination we have the better we shall know this. The really important difference is that the medieval universe, while unimaginably large, was also unambiguously finite. And one unexpected result of this is to make the smallness of Earth more vividly felt. In our universe she is small, no doubt; but so are the galaxies, so is everything—and so what? But in theirs there was an absolute standard of comparison. The furthest sphere, Dante's maggior corpo is, quite simply and finally, the largest object in existence. The word 'small' as applied to Earth thus takes on a far more absolute significance.[...] Hence to look out on the night sky with modern eyes is like looking out over a sea that fades away into mist, or looking about one in a trackless forest—trees forever and no horizon. To look up at the towering medieval universe is much more like looking at a great building. The 'space' of modern astronomy may arouse terror, or bewilderment or vague reverie; the spheres of the old present us with and object in which the mind can rest, overwhelming in its greatness but satisfying in its harmony. That is the sense in which our universe is romantic, and theirs was classical.

This explains why all sense of the pathless, the baffling, and the utterly alien—all agoraphobia—is so markedly absent from medieval poetry when it leads us, as so often, into the sky. Dante, whose theme might have been expected to invite it, never strikes that note. The meanest modern writer of science-fiction can, in that department, do more for you than he. Pascal's terror at le silence eternal de ces espaces infinis never entered his mind. He is like a man being conducted through an immense cathedral, not like one lost in a shoreless sea.

Book: Show us one of your favorite works of fiction.

What books did you love as a child? 
Submitted by hearts. 

Here are a few:

[From Paradise, by Dante, trans. by Anthony Esolen, Canto 3]

[Dante receives a reply from Piccarda, a woman who had broken her religious vows, in response to a question about the blessedness of those in the "lowest" sphere of heaven.]

"Brother, the virtue of our charity
   brings quiet to our wills, so we desire
   but what we have, and thirst for nothing else.
If we should feel a yearning to be higher,
   such a desire would strike disharmony
   against His will who knows, and wills us here.
...
For it is of the essence of this bliss
   to hold one's dwelling in the divine Will,
   who makes our single wills the same, and His,
So that, although we dwell from sill to sill
   throughout this kingdom, that is as we please,
   as it delights the King in whose desire
We find our own. In His will is our peace:
   that is the sea whereto all creatures fare,
   fashioned by Nature or the hand of God."

The men that worked for England
They have their graves at home:
And bees and birds of England
About the cross can roam.

But they that fought for England,
Following a falling star,
Alas, alas for England
They have their graves afar.

And they that rule in England,
In stately conclave met,
Alas, alas for England,
They have no graves as yet.

-- G. K. Chesterton

[From The Waste Land, by T.S. Eliot]

What are the roots that clutch, what branches grow     
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only     
A heap of broken images, where the sun beats,     
And the dead tree gives no shelter, the cricket no relief,     
And the dry stone no sound of water. Only     
There is shadow under this red rock,
(Come in under the shadow of this red rock),     
And I will show you something different from either     
Your shadow at morning striding behind you     
Or your shadow at evening rising to meet you;     
I will show you fear in a handful of dust.
...
Here is no water but only rock     
Rock and no water and the sandy road     
The road winding above among the mountains     
Which are mountains of rock without water     
If there were water we should stop and drink
Amongst the rock one cannot stop or think     
Sweat is dry and feet are in the sand     
If there were only water amongst the rock     
Dead mountain mouth of carious teeth that cannot spit     
Here one can neither stand nor lie nor sit
There is not even silence in the mountains     
But dry sterile thunder without rain     
There is not even solitude in the mountains     
But red sullen faces sneer and snarl     
From doors of mudcracked houses